Sited at the mouth of the Connecticut River in Essex, Connecticut, and with a wide view of Long Island Sound, this house was purchased and restored in the 1980s. Back then, interior designer Charles Spada took the historic Greek Revival house down to its roots and then built upon them stately columns, moldings and trim. Window casings were outfitted with broad-shouldered frames, leaving the views exposed. So, 20 years later the house only needed a refresher, like changing fabrics and wall colours and adding a back porch. Once again Charles Spada was called and brought the house into the twenty-first century.
A checkerboard-painted floor and sisal runner mix with a rococo demilune.
Elegant simplicity reigns in the living room under a George Bruestle painting and a host of green-hued fabrics.
On the opposite end of the room, framed intaglios float on wires hanging from picture molding rods behind a grand piano. Two flame-stitch-covered chairs from the Netherlands flank an eighteenth-century Italian commode with a mirror of the same era above it.
Charles Spada designed the intricate fireplace and window moldings during his first encounter with this house.
The library in its original colour from twenty years ago.
The breakfast room sits just off the kitchen and, like the living room, forgoes window treatments.
The stone floor on the porch was added during the recent updates to the rest of the house.
The dining table extends in front of the faux-finished console to seat more than a dozen people.
During the home’s original renovation, Spada gutted the warren of upstairs rooms to create an under-the-eaves master bath.
In the guest room, twin beds wear new layers of quilts and linen-covered headboards, sheer curtains hang at the windows, and a grasscloth rug for the floor. Mmilking stools were placed at the end of each bed. A range of pinks brings a rosy glow to a guest room
Custom bedding is key to the master suite’s comfort.
Photos: Bruce Buck
All images from
here.
Posts
